Statement

 

In The Eye project, I became deeply interested in the process of reversal-how perception shifts when we invert what we take for granted. ReversisM is my exploration of this phenomenon, an inquiry into how our minds interact with and accept reversed states of existence.

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What is } ReversisM{ ?

 

ReversisM is the act of reversing established platforms, structures, and phenomena to examine how perception adapts to these transformations. It is not just about inversion; it is about challenging the boundaries of acceptance, questioning whether perception can hold two opposing truths at once.

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Why }ReversisM{?

 

Over the past years, I have been exploring the effects and potential of reversal. Through this process, I discovered that the opposite of any state-the physical condition or existence of something-coexists within the same space. Perception, it turns out, has the power to accept both realities simultaneously. This realization led me to investigate the self-manipulation of perception: how we can consciously shift our understanding to redefine our place within our environment and within art itself.

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}ReversisM{ in Practice

 

Throughout The Eye project, I have taken familiar phenomena, reversed them, and observed the results—both in the art itself and in the reactions of viewers. By altering fundamental structures, I create a space where perception is actively questioned, rather than passively received.

Currently, I am applying this concept to the Golden Ratio—a principle long associated with balance and aesthetic harmony. By turning it upside down, I seek to generate a rebalanced space on the canvas, challenging our deeply ingrained visual expectations and inviting a new way of experiencing form and proportion.

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Why this Matters?

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​​Collectors and viewers who seek intellectually stimulating, concept-driven works will find in ReversisM an evolving dialogue-an opportunity to engage with art that continuously reshapes perception. My work is not just about what is seen but about how seeing itself is transformed. 

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