Statement
In The Eye project, I became fascinated by the process of reversal-how perception shifts when we invert what we take for granted. }ReversisM{ is my exploration of this phenomenon, an inquiry into how our mind accepts reversed states of existence and adapts to them.
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What is } ReversisM{ ?
}ReversisM{ is the practice of reversing established platforms, structures, and phenomena to investigate how perception adapts. It is not merely inversion - it is a challenge to the boundaries of acceptance, a test of whether perception can hold two opposing truths simultaneously.
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Why }ReversisM{?
Over the past years, I have explored the effects and potential of reversal. Through this process, I discovered that the opposite of any state - whether physical, conceptual, or perceptual-coexists within the same space. Perception has the capacity to embrace both realities at once. This insight led me to study the self-manipulation of perception: how we can consciously shift our understanding to redefine our place within our environment and within art itself.
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}ReversisM{ in Practice
In The Eye Project, I reversed familiar phenomena and observed the outcomes - both in the art and in viewers' responses. By altering fundamental structures, I create spaces where perception is questioned rather than passively received.
Currently, I am applying this approach to the Golden Ratio - a principle long associated with balance and aesthetic harmony. By inverting it, I aim to generate a "rebalanced" visual space, challenging ingrained expectations and inviting viewers to experience form and proportion anew.
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Why this Matters?
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​​Collectors and viewers seeking intellectually stimulating, concept-driven works will find in }ReversisM{ an evolving dialogue: an invitation to engage with art that continuously reshapes perception. My work is not only about what is seen-it is about how seeing itself can be transformed.
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THE EYE PROJECT
}ReversisM{
The Birth, Concept & Approach
Four Modes of }ReversisM{
01
Concept
}ReversisM{ is a conceptual practice rooted in reversal. By inverting established visual, spatial, and perceptual structures, the work examines how perception adapts when familiar truths are no longer stable. It is not inversion for effect, but an inquiry into whether perception can hold opposing realities at the same time.
03
Dialogue
}ReversisM{ operates as an ongoing dialogue between structure and awareness. By reversing principles historically associated with harmony—such as the Golden Ratio—the work proposes alternative equilibria. It invites long-term engagement, rewarding repeated viewing rather than instant interpretation.
02
Experience
The work does not instruct the viewer what to see.
Instead, it creates conditions where perception hesitates, recalibrates, and becomes active. Balance feels unfamiliar, orientation shifts, and meaning emerges through awareness rather than recognition. What changes is not the image, but the way it is perceived.
04
Foundation
At its core, }ReversisM{ is concerned with perception itself. Every state contains its opposite within the same space; what shifts is the observer’s position. The work activates this latent duality, revealing perception as flexible, conscious, and capable of embracing contradiction without collapse.